A week or so ago, I realized that in the entire collection of several hundred images I shot on a trip to the gorgeous Olympic National Park there was none that I was actually happy with. It turned out that this was a good time to remind myself of the following.
Out of many hundreds or thousands of images, we deem only a handful good enough to be framed and hung on a wall or put in a portfolio. And that is on a good day. Henri Cartier-Bresson even famously said:
Your first 10,000 photographs are your worst.
From those words, we might even conclude that we might not get any worthwile images before reaching the 10,000 mark. This may not be true, but there is value in the thought that we just need a lot of practice to hone our technical and creative skills as photographers.
Sometimes the low ‘success rate’ can be very discouraging. However, all the other images that never ‘make it’ are not failures. Instead, they are the necessary little pieces that have contributed to and were essential to the creation of the images that did make it into a print or portfolio.
We needed those pieces to help us give form to our imagination and creativity, and to help us gain the technical skill to put that creativity into an image. It is all part of the process, and that is perfectly fine.
As an example of a piece of the puzzle, here is an abstract image of the lighthouse in Marina Del Rey, California. It was purely taken as a creative exercise – but one that I ended up quite liking, and it actually did make it into my portfolio.
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